Staff Pick: Dia Frampton 7/9

From NBC’s hit show The Voice, Dia Frampton is coming to World Cafe Live to light up the stage on July 9th at 8 pm! With her unique and captivating voice combined with brooding lyrics and melodies swirling around concepts of life, love and loss, it’s no surprise she quickly stole the hearts of Americans nationwide. Dia Frampton started her music career with her sister, Meg, as the duo Meg & Dia, before Dia took to her journey as the eventual runner up on the first season of The Voice. Dia instantly captured the attention of viewers with her eccentric and vastly different renditions of songs by Kanye West as well as R.E.M., which both became the highest charting iTunes digital songs by any contestant on The Voice at the time. Her own original song “Inventing Shadows” topped the charts at No. 1. Shortly after, her infectious energy led her to win the title of Entertainment Weekly’s 2011 “Favorite Reality Show Personality.” After her time on The Voice, she released an EP with a band she had formed called Archis, and is currently embarking on her solo career that hasn’t slowed down, with her latest album Bruises debuting this past March. The album starts with two uplifting tunes “Hope” and “Out of the Dark,” one being instrumental and one not, but both inciting a feeling of renewal and resilience. The two songs set the tone, a very nostalgic and cinematic one at that, for the rest of the album. One of my personal favorites off of the album is “White Dress,” which has an eerie melody laced with droning harmonies that really forces you- in the way music should- to feel the message she’s trying to convey. Don’t miss your chance to see her in our intimate downstairs venue here at World Cafe Live!

-Rachel Goldstein

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Coming Up In July

Is there a better way to welcome July than coming to hear some live music? Didn’t think so. Check out our monthly Spotify Playlist to familiarize yourself with these talented artists!

Tank and the Bangas “Oh Heart” (July 11)

From Tank and the Bangas 2013 album, Think Tank, “Oh Heart” is the perfect blend of rhythmic soul and spoken word. Unique instrumentation paired with the various musical techniques of the Bangas is what makes them one of the most distinctive groups to emerge from New Orleans. It’s not surprising that NPR recently named the band as the 2017 Tiny Desk Contest Winners- their style is unlike any other. Hope you got your tickets to their July 11th show because it’s sold out!

Okkervil River “Lost Coastlines” (July 26)

“Lost Coastlines,” from Okkervil River’s album The Stand Ins, features the beautiful voice of lead singer Will Sheif, as well as layered string and horn instrumentation. With a sound similar to Neutral Milk Hotel and The Decembrists, this indie-rock and folk-rock group makes music that is easy on your ears. Their 2016 album, “Away” was deemed one of the best records of 2016 by media including Wall Street Journal and The Atlantic. In order to promote this new album, the group has announced a special limited run of intimate acoustic trio shows, and we’re excited to host their performance.

FORQ “Starchy” (July 31)

With Rudder founder Henry Hey on keyboards, Snarky Puppy founder and Grammy Award-winner Michael League on bass, Foe Destroyer founder and fellow Snarky Puppy member Chris McQueen on guitar, and Jason “JT” Thomas on drums, FORQ is an, “all-star ensemble of sorts – but with the spirit and cohesiveness of a garage band.” Straight off their debut album, FORQ, “Starchy” is an upbeat and catchy tune with the same playful and soulful energy which characterizes the rest of their music. Come to World Cafe Live to see them on their first-ever international tour!

-Dana Schwartz, Marketing Intern

Interview: David Poe (Upstairs 7/2)

In the words of Rolling Stone Magazine, “David Poe gives the singer-songwriter genre a much-needed jolt.” Returning to our upstairs stage on July 2, this talented musician is ready to show Philly what he’s got. We were lucky enough to conduct an interview with Poe to learn a bit more about who he is and what he does:

WCL: You have toured with many established artists, from Bob Dylan to Joan Baez. What have been some of the highlights of these tours, and who would be your dream tour partner?

David: To work with the best, with legends and virtuosos, is inspirational and humbling and one of the great honors of my life. Bob Dylan, Joan Baez and T Bone Burnett are seers. Where would music and culture be without their contributions?

But I’ve also learned so much from creatives whose names most people don’t know, and from the great singers and players with whom I’ve written and collaborated: Sim Cain, Grace Potter, John Abbey, Grace Kelly, Curtis Stigers, Oh Land, Thomas Dybdahl, Steve Rosenthal, CC White, Brendan Hines, Regina Spektor, Kraig Jarret Johnson, Amy Raasch, Jack Ashford, Jay Bellerose, Gabe Witcher, Philip Krohnengold, Tori Amos, Duncan Sheik, Ben Peeler, Matt Johnson, John “Scrapper” Sneider, Marc Ribot, to name a very few.

Most artists don’t get too famous, but each passes a torch to another generation, illuminating common themes, conventions, methodology, rules to learn and to break, what has been done before them and how. Innovation requires some understanding of tradition, whether you absorb it through a school arts program or by learning an instrument or listening to cool radio.

It will be fun to play there with Brendan Hines on Sunday. He’s a killer writer who also does a little acting on the side, and he and I have written songs and made two records together. But I guess my “dream tour partner” is really my old acoustic guitar, a relic of the last century.

Musical guests often join me onstage and that brings me great joy, but I’m most interested in the fundaments of songwriting, in words and music. That box of wood and wire allows me to convey both, and it fits in the overhead compartment so long as I make nice with the flight attendant.

I see that you have composed the scores of more than seven films! Could you describe your process for coming up with the music for these films?

Each project is different. I’ve scored a wide variety of films and written songs for big movies, like Triple-9, but also intimate indie things like Diary Of A Teenage Girl.  It’s just a lot of fun to see someone like Kristen Wiig doing her thing over a song.

I like putting music to picture. When it works, everyone knows it.

It’s been particularly fun to have songs in TV shows like Dexteror on Nashville, in which an actor sings it as if they wrote it themselves and the lyrics are woven into the plot and dialogue. A song I wrote called No One Cares About Your Dreams is on the July 13 episode, and they’ve also put Gun For A Mouth and The Most Beautiful Girl in the World into the show.

When someone else sings a song I wrote, I get the same feeling as when people sing “Happy Birthday,” to you, this strange mix of humility and glee. And they always sing it better than I ever could.

How has your experience working with the Sundance Institute helped you as a musician, and what are some of the most significant takeaways you’ve gained from your time there?

Sundance is such an important part of the culture in that it supports independent creative forces and develops films about topics we wouldn’t likely see otherwise. The roots of some of our most venerated investigative documentaries, like Amy Berg’sDeliver Us From Evil or Ondi Timoner’s Dig! Even pioneering narrative projects like The Wire or Orange Is The New Black can be traced in part to the Sundance ethos, which is to amplify less-heard voices. Redford and his colleagues saw the need for this a long time ago, and they have made a significant, artistically-responsible contribution to the culture, broken down boundaries.

Beyond film and TV, one of my favorite projects of the last decade has been making music for Shadowland 1 and 2, two dance theater pieces by the American dance company Pilobolus. Those shows have been on the road since 2009, toured every continent, won awards, appeared on a lot of TV, even been performed for the Queen.

The composition process in dance is like scoring a film, writing a musical and making a record all at once. These scores are part pop song, part sweeping orchestral music, part electronic music, all based on narrative and the characters’ inner dialogue, so I write a lot of stuff for centaurs and gods and robots that I probably wouldn’t have otherwise written.

Your last album, God and the Girl, was released in 2014. How have listeners responded to this album, and can they expect any new music in the future?

Of course it’s thrilling and humbling when people indicate they like the songs, but when a song is done I move on to the next and rarely listen to it again.

I’ve always got new music, both my own and things I’ve written with and for others. For me, the hardest part is releasing it effectively and making listeners aware. Anyone interested can join my mailing list at davidpoemusic.com.

I’m just not particularly adept at marketing or interested in wading into the clamor of social media to sell music. And I’ve been playing since I was a teenager, when wheatpasting posters for gigs was a thing. So now, when a song is done, I nudge it out of the nest and hope it flies.

What have been some of your favorite places to perform, and why?

I’ve always enjoyed playing at World Cafe Live. Great crew, awesome sound, and Philadelphians are one of the best audiences in the world.

One of the shows I played there was recorded for a PBS series.

Have you ever tried a Philly cheesesteak?

Nope. Vegetarian.

twitter.com/poedavid

facebook.com/david.poe

instagram.com/davidpoe

www.davidpoemusic.com

-Interview conducted by Dana Schwartz, Marketing Intern

Music Monday 6/19/17

The month of June is coming to an end, but the music never stops at WCL! Our upcoming artists offer an eclectic range of musical genres that will satisfy anyone’s tastes! To give you a better idea, we’ve created a Spotify playlist with their music. Listen here!

Future Thieves “Sucker” (August 6)

Future Thieves latest release, “Sucker” is the first new song which the band has put out since their debut LP Horizon Line in 2015. Recorded in a small lodge on a lake in Eastern Tennessee, “Sucker” has the same indie-rock vibe as their past record, yet it represents what the group feels is the next step in how their music should evolve. In a recent interview, bandmember Nick said, “It’s different, but the idea is to have it represent us as a collective group while pushing our boundaries and comfort zones.” Future Thieves always promises to give their audience the best possible performance, so be sure to catch them live on August 6!

Snake Club “This Could Be Us” (August 12)

The Philadelphia natives of Snake Club masterfully blend RnB, Hip Hop, and Pop with jazz backgrounds in their music. “This Could Be Us,” their most recent release from March 2017, is a perfect representation of this original style. Drawing inspiration from artists such as Hiatus Kaiyote, Ariana Grande, and Anderson Paak, the group incorporates smooth vocals, sensual harmonies, and soulful horn solos to create their own unique sound.

Penny and Sparrow “Finery” (September 17)

In their latest album, “Let a Lover Drown You,” Texas born indie-folk duo Penny and Sparrow “delve into numerous new and diverse sound landscapes… without sacrificing the sharp honesty that’s accompanied their career thus far.” Penny and Sparrow create music that is relaxing and easy to listen to, and possess a sound similar to The Swell Season, Bon Iver, and Mumford & Sons. Hear Andy Baxter and Kyle Jahnke’s smooth vocals, honest lyrics, and acoustic instrumentation in their song “Finery”!

-Dana Schwartz, Marketing Intern

Staff Pick: Robert Glasper Experiment 6/20

If you think you haven’t heard the Robert Glasper Experiment before, think again. The Experiment has played with the likes of chart topping artists ranging from Erykah Badu, Kendrick Lamar, Hiatus Kaiyote, Kanye West and Snoop Dogg all the way to Stevie Wonder, Herbie Hancock and Norah Jones. With a leader like Glasper, there is truly no limit to what this group can and will achieve. After releasing Black Radio 1 and 2 in 2012 and 2013 respectively, the Robert Glasper Experiment did not fail to live up to expectations with their follow up album and latest musical project, ArtScience. The band tastefully fuses countless facets and genres of music together seamlessly, from their deep jazz roots phasing into, and not shying away from, hints of prog rock, electronic, pop, hip-hop, funk, soul and R&B. Glasper and his band mates somehow cover it all and make it sound effortless in the process. Unlike their previous projects, ArtScience stands out for a big reason — this album has no featured vocalists. All members, including saxophonist and vocalist Casey Benjamin, drummer Mike Colenburg, bassist Derrick Hodge and Glasper himself, wrote and produced, and everyone sings. Everything about this album transcends the way we think about music. The opening song, “This Is Not Fear,” takes off full steam ahead right off of the bat. A minute and a half into it there’s a beat change that poses a purposefully stark contrast to the first minute of the song. This intro is just a little taste of what you’re in for when you embark on the musical journey that is ArtScience. From “You And Me,” an original song oozing with equal parts love and ache, to a 7 minute cover of Herbie Hancock’s “Tell Me A Bedtime Story,” each song will leave you feeling something different and new and will leave you amazed at the sheer musical brilliance. You will not regret diving into all that is the Robert Glasper Experiment. Don’t miss their upcoming show in our downstairs room on Tuesday, June 20thtickets are moving fast!

-Rachel Goldstein, Marketing Intern

Music Monday

World Cafe Live’s remaining lineup for June is filled with folk, country, rock, and jazz music! We’ve put together a Spotify playlist for you to listen to to help you decide which shows you might like to attend. The performers range from the genre-defying Ontario-based artist, poet, and musician Daniel Romano, to jazz, funk, soul, and pop artists of the Robert Glasper Experiment, to the experimental and environmentally conscious Cloud Cult, who seamlessly blend music and art in each of their performances. Check out their music (and much more!) on our Spotify.
“Roya” Daniel Romano (June 18)
Straight off of his latest album Modern Pressure, Daniel Romano’s song “Roya” is a catchy tune with rich harmonies and a classic rock feel. Romano’s sound can be compared to that of The Beatles and Jonny Fritz, and his talent of constructing interesting melodies, shapes, and lyrics is clearly displayed throughout this album. “Written in observational scrutiny beneath the overcast atmosphere of 2016, the record vigorously tackles the present-day heaviness we contain in the jotting bones of our guilty expressions. It pleads for the restoration of empathy and resonance, to fill the empty chamber once again.”
 
“Afro Blue” Robert Glasper Experiment (June 20)
From their 2012 album Black Radio, Robert Glasper Experiment’s song “Afro Blue” is the perfect blend of jazz, funk, and soul, and features the smooth vocals of Erykah Badu. Since releasing this album, the group has created two more albums and earned a great deal of success- they have dominated the jazz charts, won multiple R&B Grammy’s, and recorded and collaborated with artists such as Norah Jones, Snoop Dogg, Kendrick Lamar, and Anderson .Paak! This is definitely a show you don’t want to miss.
“No Hell” Cloud Cult (June 27)
“No Hell” is one of the many beautiful songs which is included on Cloud Cult’s latest album The Seeker, which has been deemed the bands best work by critics. “No Hell” is a “characteristically cathartic” song by Craig Minowa, who wrote it in order to get through particularly hard times. The entire album was also made into an award-winning feature length film which toured the film festival circuit in 2016. Cloud Cult will be performing the full score as the movie plays on screen on throughout the US, and we’re excited to be one of the venues to host this captivating show. 

Did You Know? XPN’s Free At Noon

Did you know that XPN hosts FREE concerts just about every Friday at 12PM on our World Cafe Live stage? Head to XPN’s website to find out who’s up next and to RSVP. Check out some footage from past Free At Noons over at VuHaus, and tune in weekly to stream future Friday concerts if you can’t join us in person!

Bonus #throwbackthursday: Adele played a Free at Noon back in 2011.

Non-Comm 2017 Highlights

From Blondie to Ani DiFranco to The Districts, we’re honored to have hosted such legendary and emerging talent on both our upstairs and downstairs stages during the 2017 Non-Commvention. Check out some highlights streaming on VuHaus!

Staff Pick: Ten Fé

Following the release of their debut full-length EP, Hit the Light, indie pop duo Ten Fé will play Philly as part of their 2017 North American tour. The band is made up of Ben Moorhouse and Leo Duncun, who first met each other at a house party in London, quickly becoming friends after discovering their shared taste in music. The two soon began writing songs together under the name “Fé” and released a single titled “Time” in 2013. The track was critically acclaimed, gaining recognition from large platforms such as BBC 6 Music. After this success, the musicians decided to relocate to Berlin where they would be immersed in a flourishing artistic atmosphere. It was here that the duo changed their name to Ten Fé, marking the beginning of a new era which resulted in their recent release. The new album itself is very diverse, each song has a vibe of its own that is unique from the rest. “Elodie” for example, is heavily piano-centered accompanied by somber vocals; whereas songs like “Twist Your Arm” are synth-based and upbeat in tempo, featuring funky slide guitar licks that are reminiscent of 80’s Prince hits. Ten Fé’s style can be traced back to the music of The Cure and Bruce Springsteen, artists they listened to quite frequently in the process of creating the new record. Their aura has also been compared to The 1975’s, as front-man Ben Moorhouse’s deep, nostalgic voice is similar to Matty Healy’s. Their sound has been positively received by many, such as Noisey, who described it as “wonderful psychedelic guitars and melancholic strings”, and NME, who called it “irresistible”. Make sure to come see Ten Fé play upstairs at WCL on Saturday, June 10th to hear it for yourself!

-Devon Minuto, Marketing Intern

Staff Pick: Lewis Watson 5/21

Coming up on Sunday, May 21 is Lewis Watson, a London-based singer/songwriter with a smooth and soulful voice paired with a mellow acoustic sound. Watson began uploading covers of songs by artists such as Bon Iver, Bombay Bicycle Club, and the Knife to a Youtube channel which received little attention back in 2010, yet his music career did not fully take off until he started posting videos of his original songs. These original compositions received great responses from listeners, and it wasn’t long until he recorded his first EP, “It’s Got Four Sad Songs On It BTW,” produced by his former music teacher, Joe Porter. The buzz that the 2012 EP generated was enough to attract several record labels to Watson’s music, and he eventually decided to sign with Warner Bros. As he began performing at larger festivals, Watson’s fanbase grew, and another EP titled “Another Four Sad Songs” followed months later. I can appreciate the rawness of both EPs- they are not overproduced or written to fit a mainstream mold. Each feature Watson, who sings the melody as well as additional background harmonies, his acoustic guitar, and occasional extra instrumentation that compliments his performance. Watson’s lyrics are honest, original, and very relatable. His third EP, “Wild,” was made possible with the help and collaboration of artists and producers such as The Arctic Monkeys, Florence and the Machine, Richard Wilkinson, and Mr. Hudson. The EP, which was released in 2013, contains a heightened confidence from Watson, as well as a more polished production value than the previous two. After releasing two more EPs in 2013, Watson created his first full length album, “The Morning,” which debuted in July 2014. Watson then parted ways with Warner Music in order to focus more on his songwriting, which is exactly what he did! “Midnight,” his next full-length album, was released in early 2017, and he signed with Cooking Vinyl, a well-established indie record label. Watson’s sound is the perfect blend of relaxing indie and upbeat acoustic pop. His powerful voice will undoubtedly fill our downstairs room- grab tickets here!

-Dana Schwartz, Marketing Intern